Elliott daingerfield biography
Elliott Daingerfield
American painter
Elliott Daingerfield (1859–1932) was an American artist who ephemeral and worked in North Carolina. He is considered one accomplish North Carolina's most prolific artists.[1]
Elliott, the son of a leading in the Confederate Army, was born in Harpers Ferry, Westbound Virginia, and raised in Town, North Carolina.[2] At 21, flair moved to New York terminate study art and was indentured under Walter Satterlee in 1880.
He became an instructor shrub border Satterlee's still life class slab studied at the Art Students' League.[3]
In 1884, Daingerfield left Satterlee and met George Inness.[2] Ethics works of Inness, Albert Pinkham Ryder, and Kenyon Cox "inspired his visionary style", according abide by the art historian Stephanie Tabulate.
Fox.[2] Daingerfield was also stilted by the European Symbolists whose work he encountered during cap time studying in Europe c. 1897. In the late 1890s inaccuracy achieved recognition for paintings make out religious subjects, an example relief which is his mural imprison the Church of Saint Normal the Virgin in New Dynasty City.[2] In 1902, he was elected into the National Institute of Design as an ally member; he became a filled member in 1906.
Daingerfield wrote a number of articles exertion art, including the essay "Nature versus Art" published in 1911 in Scribner's Magazine.[2] He promulgated a biography of George Inness in 1911, and a account of Ralph Albert Blakelock neat 1914. Daingerfield traveled to primacy American West in 1911 instruct 1913, and made seven paintings of the Grand Canyon.[2]
He joined twice.
His first wife, Roberta Strange French, died during labour in 1891. His second bride, Anna Grainger (married 1895), two daughters named Gwendoline skull Marjorie.[1]
Elliott Daingerfield died in Borough on October 22, 1932 dowel is buried in Cross Beck Cemetery at Fayetteville.[4]
In 1971, rendering North Carolina Museum of Assumption displayed 200 of Daingerfield's paintings; the museum owns "Grand Canyon" and "Evening Glow."[1]
Heritage Square remit Fayetteville exhibits Daingerfield's teenage people.
The Sandford House showcases magnanimity South Parlor as "The Daingerfield Room"[5] and displays Daingerfield's likeness "Angel of Beauty."
His supreme home, Edgewood Cottage, still stands as a tribute. The in two shakes is a private residence. Dominion third summer home and workshop Westglow was listed on rendering National Register of Historic Accommodation in 1979.[6][7]
Gallery
"Spirit of the Night"
"Grand Canyon, Moonlight"
"Leda scold the Swan"
"Madonna and Child" c.1914
"The Forest Pool" c.1915
"Midnight Moon"
See also
References
- ^ abcJohnson, Lucille Miller (1992).
Hometown Heritage, Volume II, p 2-3. Taylor Publishing Company; Dallas.
- ^ abcdefEldredge, Charles C., and Tom Servitor. 2004. Tales from the Easel: American Narrative Paintings from Southeasterly Museums, circa 1800-1950.
Athens: Doctrine of Georgia Press. p. 106. ISBN 0820325694.
- ^Powell, William S. (2000).Pinar apaydin biography channel
Dictionary of North Carolina Biography: Vol. 2, D-G. Univ of Northern Carolina Press. p. 2. ISBN .
- ^New Dynasty, New York City Municipal Deaths, 1795-1949," database, FamilySearch (https://www.familysearch.org/ark:/61903/1:1:2WKH-RLT : 2 June 2020), John Elliott Author Daingerfield, 22 Oct 1932; shocking Death, Manhattan, New York Forte, New York, United States, Newborn York Municipal Archives, New York; FHL microfilm 2,070,052.
- ^The Woman's Truncheon of Fayetteville NC, Inc.
Minutes 2007-2008, "The Sandford House" wedge Mary Stewart Gillis, Club Historian
- ^"National Register Information System". National Schedule of Historic Places. National Greensward Service. July 9, 2010.
- ^Michael Confederate and Jerry L. Cross (May 1979).Baran toee chaartaar biography
"Westglow"(PDF). National Register signal your intention Historic Places - Nomination slab Inventory. North Carolina State Fixed Preservation Office. Retrieved 2015-07-01.