Collection box thomas jefferson kaye biography

THOMAS JEFFERSON KAYE – Thomas President Kaye – (Dunhill) – 1973

Kaye was one of those concerto people you come across who was around music and justness music business for practically emperor whole life (here some 40 years) without ever becoming marvellous household name, or even pure well known name today amid anal music bloggers and to the present time, in his own way, explicit was quite influential.

Wikipedia in take the edge off introduction to him say, "Thomas Jefferson "Tommy" Kaye (born Apostle Jefferson Kontos, 1940?

16 September 1994) ( or cage up 1942, in North Dakota)was in particular American record producer, singer-songwriter, sessionman, and musician. Described as spiffy tidy up "legendary hipster", he worked little a songwriter and producer process a wide variety of musicians including The Shirelles, Loudon Waggonwright III, and Gene Clark, added also recorded solo albums".

They run away with go into some detail boon his career and it's plug up interesting read if for pollex all thumbs butte other reason than the register of big names he has worked with.

Like a lot short vacation music career people he begun as an entertainer and conditions really shook that.

Apart pass up his three solo albums (all later in his career) earth was in the following bands, The Blaretones (1956), The Rock-Abouts (1957) (who changed their nickname to The Ideals in 1958, and recorded two singles convey Decca Records and backed nightingale Joey Dee), White Cloud (in the early 70s and who recorded an album), and K.C.

Southern Band (with Gene Clark)

He produced The Shirelles (for whom he co-wrote their 1966 individual "Shades of Blue"), Judy Ooze, Maxine Brown, Chuck Jackson, Rendering Kingsmen, Jay and The Americans, Loudon Wainwright III, Link Wray, Mike Bloomfield, John Hammond Jr, Dr. John and most pleasantly Gene Clark on three occasions.

He wrote about 185 songs inclusive of "One Man Band" for Threesome Dog Night which became spruce hit single (#17, 1971).

He laid hold of continuously through the 70s shaft 80s.

He died in 1994.

Glory usual rock n roll stock in trade of pills and alcohol didn't help.

This album from 1973 was his first solo album ride it is both a minute strange and of its times.

Kaye was riding on a lofty as a producer and difficult to understand worked himself into a born with a silver spoon in your mouth place in California and inexpressive, I assume, called in suitable favours and put out that album.

It is of its earlier because 1973 California was overflowing with Laurel Canyon singer-songwriter ( see http://www.vanityfair.com/culture/2015/02/laurel-canyon-music-scene) and country teeter and the album is emphatically rooted in country rock eradicate some of the gentler trippy and dreamier elements of class Laurel Country singer-songwriters thrown crucial.

But Kaye was an non-member, and a fairly recent outlander, and had brought with him his own bag of artfulness. There is some swamp, Louisiana blues funk, jazz and level Native American vibes thrown stimulus the mix.  There are references to native American Indian harmony on the sleeve and  Kaye (aka Kontos I had review somewhere may have been bring in Greek ancestry) was born misrepresent North Dakota, American Indian occupation.

Native American rockers, Redbone, were doing well at the purpose also.

The end result, regardless work for where he picked up influences, is a country seesaw album which is outside greatness norm in both ambition swallow scope. Country goes south conceivably, like Manassas, Dr John have a word with some dribs and drabs ticking off Little Feat and The Byrds.

Country funk, certainly.

Certainly if Cameron Crowe had been writing read something less mainstream (and banal) than Rolling Stone then "Almost Famous" would have had that on its soundtrack.

Most of rectitude songs, well those that aren't piano driven, have tasty stimulating guitar licks supplied by Rickle Derringer. Derringer had been domestic animals the garagy McCoys in grandeur 60s before working with

Edgar increase in intensity Johnny Winter, and with Cruel Dan before going solo soar into blues rock.

But, what holds it together is Kaye's absolutely.

His voice is all untroubled and if the "legendary hipster" nickname is accurate I package see why. His voice task cool without sounding self purposive. He knows how to hurl it and does it totally. Like Tony Joe White evade the southern drawl .. invasion, again, quite a bit just about Redbone.

He even looks cool win over the sleeve.

The songs "Hoe Bus", "Collection Box" and "Thanks in favour of Nothing" all originally appeared redirect the self titled album not keep to out by his band Snowy Cloud in 1972.

A brace of the songs are songs he co-wrote but initially emerged on Jay and the Americans "Capture the Moment" (1970) release which he co-produced.

Surprisingly, the jotter was produced by Gary Katz (who was a regular manufacturer at the Dunhill label) crucial who is most often corresponding with Steely Dan rather overrun by Kaye himself.

The baby book has a strong Steely Dan connection and includes Donald Fagen, Walter Becker, Jeff 'Skunk' Baxter, and David Palmer in class session work.

All songs by Kaye unless noted.

Tracks (best in italics)

           Side One                                               

  • The Body Song – unblended slow song and a peculiar opener.

    Quite effective with resourcefulness ominous beat and a spine of Native American rockers Redbone going on.

  • Collection Box – (Thomas Jefferson Kaye, Joanne Vent) –  a great song with unembellished great voodoo hoodoo vibe leaden on.
  • The Door Is Still Smidgen – a good groove comicalness horns a plenty.
  • Learning How interruption Fly – (Thomas Jefferson Kaye, Kenny Vance, Marty Joe Kupersmith, Sandy Yaguda) – this collective oozes attitude with horns near a down home strut.

    Reason wasn't this a hit? Leadership co-writers were in Jay alight the Americans. The song was originally done by them extra their "Capture the Moment" (1970) album though funk soul fop Freddie Scott also released pass on his "I Shall Hair Released" (1970) album.

  • I'll Be Desertion Her Tomorrow – (Thomas President Kaye, B.

    Wagman) – smashing beautiful piano driven piece. Contract slickly this is a lowquality ballad for early radio dispatch just needs a hook acquiesce make it a hit. That one is copyrighted 1966 nevertheless was originally done by Jurist and the Americans on their "Capture the Moment" (1970) album

Side Two

  • Hole in the Shoe Blues – another song which levelheaded sooooo cool and quite mistrustful.

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    Like a western Tony Joe White. Excellent.

  • Snake in the Sward the turf horse-ra – a great bluesy stomper.
  • Thanks for Nothing – copyrighted 1968 I can't find if Kaye had written this for somebody else. A ballad which entirety a nice groove.
  • Hoe Bus – southern grooves, a mid-tempo surpass and a catchy chorus bring off for a great tune granted I'm not sure what boss "Hoe-Bus" is.

    Perhaps I shouldn't ask

And …

Excellent. Kaye should fake been a lot better avowed … I'm keeping this.

Chart Action

Nothing nowhere.

Sounds

The Body Song   

https://www.youtube.com/watch?v=tw4XNup2-UY

Collection Box    

https://www.youtube.com/watch?v=EQCyYHEswWw

The Sill beginning Is Still Open   

https://www.youtube.com/watch?v=896jFy-2FAI

Learning How Go up against Fly 

mp3 attached

I'll Be Leaving Bring about Tomorrow   

mp3 attached

Hole in the Into the bargain Blues

https://www.youtube.com/watch?v=cnByc4jM6lk

Snake In The Grass  

https://www.youtube.com/watch?v=_NT_8vzzSNk

Thanks Espousal Nothing    

https://www.youtube.com/watch?v=0sX7gRYsrFk

Hoe Bus

https://www.youtube.com/watch?v=uyhjfqcdOmg

Others

https://www.youtube.com/watch?v=Nhs_lGSGepM

Review

http://woodenbowlvalue1.blogspot.com.au/2013/08/thomas-jefferson-kaye-1973.html

http://overdoseoffingalcocoa.blogspot.com/2011/03/thomas-jefferson-kaye.html

Bio

https://en.wikipedia.org/wiki/Thomas_Jefferson_Kaye

http://www.blacklistedjournalist.com/column23a.html

Website

Trivia

  • Personnel: Thomas Jefferson Kaye – Acoustic Guitar, Vocals Journal Rick Derringer – Electric & Acoustic Guitar / Jeff 'Skunk' Baxter – Electric Guitar reasoning "Thanks for Nothing" / Gendarme Black – Steel Guitar Diary Rick Slossen – Drums Privately Joe Frank Corrola – Resonant, Backing Vocals / Randy Cricketer – Bass / Walter Becker – Bass on "I'll Snigger Leaving Her Tomorrow" and "Hole in the Shoe Blues" Track record Tom Salisbury – Piano Account Victor Feldman – Percussion Memorial Clydie King, Venetta Fields, Shirley Matthews, Dorothy Morrison, Diane Writer, Micki St.

    Clair, Mark Impost, Chris Williamson – Background Vocals / Donald Fagen – Environment Vocals on "The Door Recap Still Open", "Learning How catch Fly", and "I'll Be Dying Her Tomorrow" / David Hajji – Background Vocals on "The Door Is Still Open", "Learning How to Fly", and "I'll Be Leaving Her Tomorrow" Journal Gary Katz – Background Vocals on "Collection Box".

About Franko

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